Meliti was filmed for Istion off Aegina, away from the stretch of Attica coastline where most of this work happens, and a deliberately different backdrop for it.
We stayed with her through to nightfall. A catamaran this size reads differently once the light goes: the hull recedes and the boat becomes its own lighting, saloon and deck glowing against dark water. It is a look you only get by staying for it.
Coverage ran from the air, from the shore and from aboard: drone work for scale and the anchorage, land-side angles of her sitting in the bay, and the full interior and exterior throughout.
The result is the boat across a whole day rather than a single hour: open water in daylight, and lit decks after dark.
